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Artist

Jeff Koons

Jeff Koons Biography
David Shankbone [CC BY 3.0], via Wikimedia Commons

Jeff Koons Biography

Jeffrey Koons (January 21, 1955) Born in York, Pennsylvania, United States. American artist considered one of the most controversial and quoted living authors in the world. He trained as an artist at the School of the Art Institute of Chicago and the Maryland Institute College of Art in the 1970s. With a marked kitsch style, he debuted with the Inflatables vinyl object series (1979) and subsequently gained recognition with the series Prenew and The New (1980), attached to the Neo-Geo movement. Always innovative and creative, Koons has used various materials for his creations, which over time have moved away from the kitsch style to give way to monumentalism, as is the case of his best known work Puppy (1992), the gigantic dog surrounded by plants located at the entrance of the Guggenheim Museum Bilbao (Spain).

 

FAMILY AND STUDIES

Son of furniture merchant and decorator Henry Koons and his wife the seamstress Gloria Koons; Jeffrey was interested in art since he was little. After finishing his academic training in his hometown, he decided to move to Chicago to start his artistic training. In Chicago, he entered the School of the Art Institute of Chicago, where he came into contact with new artistic styles and conceptual art.

At this time he met the artist Ed Paschke, who introduced him to the work of the Dadaist artist Marcel Duchamp and presented him with the everyday world as a source of inspiration. In the late 1970s, he began working as a Paschke study assistant, thereby improving his skills and gaining experience in the art world.

After graduating in fine arts from the Maryland College of Art in 1976, Koons moved to New York, where he began working as a stockbroker on Wall Street to pay for the creation of his first works. At that time his commercial talent moved to the art world since he began working as a partner at the MoMa or Museum of Modern Art in New York. This rich experience largely determined how the artist has developed his career, in which a marked mercantilist vision can be appreciated.

 

THE BEGINNING

After gaining experience as an assistant to Ed Paschke and working for several years in the commercial sector of the art world, Koons debuted as an artist with the Inflatables vinyl objects series in 1979. With a marked kitsch style, this series of mostly flowers, objects and animals placed between mirrors showed the artist’s interest in the relationship of objects, their environment, and reflection. The use he gave to everyday objects and his taste for kitsch turned Koons into a controversial figure, a transgressor and innovator, who would awaken both hatreds and passions in the following years, leaving no one indifferent.

 

JEFF KOONS ARTISTIC CAREER

At the beginning of the 1980s, he presented the Prenew and The New series, works in which he showed a varied amount of household utensils such as vacuum cleaners, coffee makers and radiators from different eras and with colors that contrast with the fluorescent tubes installed in the last part of the work. In The New, Koons gathered different types of light-colored vacuum cleaners, which were exhibited alone or in groups in showcases with fluorescent tubes that enhanced the mixture of colors and shapes presented in each showcase. Although the work was unsuccessful, he made it known as an artist attached to the Neo-Geo movement, artistic current of the 80s in which the use of household objects in the construction of sculptures or artistic works was common.

While his fame grew in the 1980s, his art was diversified and mutated giving way to new forms of expression linked to pop, abstract and neo-geo art. After presenting some of his works in the International with Monuments gallery in 1984, Koons returned with the Equilibrium series (1985), set of sculptures in brush with sports themes in which basketball and football balls are seen suspended in the base of the showcase that encloses them in total balance. For this same period, Koons ventured into the world of advertising by making a series of sports ads related to the mute of basketball, some of these were starred by renowned players and others by fans with little recognition.

A year later, he continued to link his artistic work with advertising with the Luxury & Degradation series (1986), a work in which the ostentation of steel sculptures is mixed with the posters of renowned brands of alcoholic beverages such as Bacardi, Gordon’s and Hennessy. That same year he presented the Statuary series (1986), in which you can appreciate the mixture of classic and modern motifs such as the representation of the bust of Louis XIV and the sculpture of Doctor’s Delight. Two years later he experimented with kitsch and various materials in the Banality series (1988), set of sculptures in porcelain, wood, glass and other materials in which he represented animated characters and influential personalities, such as Michael Jackson and his pet monkey, this sculpture is named Michael Jackson and Bubbles.

After starting his relationship with what would be his wife, porn actress Illona Staller, presented Made in Heaven (1989), set of posters, glass sculptures and plastic figures representing the two husbands in different positions. A short time later they got divorced giving rise to a long legal dispute that ended with his wife fleeing with his son, who has custody under the law. The separation and litigation deeply affected the image of the artist, so, throughout the 1990s, he faced serious problems to sell and promote his art, however, it was at this time that he created his best-known work, Puppy (1992), the giant dog covered with flowers currently located at the entrance of the Guggenheim Museum Bilbao.

From Puppy, Koosn’s work leaned toward monumentalism and large sculptures as reflected in the Celebration series (1993), a set of sculptures that included the pieces Hanging Heart, Balloon Dog, and Balloon Flower. This style was also shown in Elephant (2003) and Split Rocker (2014), a gigantic dog located in the Palace of the Popes of Avignon. After regaining his fame in the new millennium he presented the Easyfun (2001), Hulk Elvis (2007) and Popeye (2009) series, a set of works that include paintings to monumental sculptures, among which some have sold for more than 28 million of dollars. His commercial strategy has made him one of the most sought-after living artists in the world, selling many of his works for large sums of money, for example, Hanging Heart was sold for 15 million euros and Balloon Flower for 16.3 million euros. Recently his work Rabbit sold for 91 million dollars, breaking his record and becoming the first artist alive to achieve such payment.

 

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Artist

Paul Signac

Paul Signac Biography
Georges Seurat / Public domain

Paul Signac Biography

Paul Victor Signac (November 11, 1863 – August 15, 1935) was born in Paris, France. A Painter considered one of the most prominent exponents of neo-impressionism with Georges Seurat, a painter with whom he had a close relationship. Signac was born into a wealthy family which allowed him to devote himself fully to painting.

By the mid-1880s, he studied arts and honed his skills in Bin’s workshop. In the early years of his career, he became interested in impressionism, an artistic movement that continued until he met Seurat. Along with this he ventured into pointillism or divisionism, an artistic technique of which Signac is one of the most important exponents. In his works, he painted landscapes of southern France and other regions that he visited on his ship.

Studies and beginnings

Born into a wealthy family, he was able to devote himself to study and the arts without restrictions. In 1882, he joined the École des Arts-Décoratifs de Paris (School of Decorative Arts). For the same period, he attended the free workshop of Bin, painter, and politician, who was then mayor of Montmartre. In the course of the following years, he collaborated in the creation of the Société des Artistes Indépendants, founded in 1884. He was the vice president in 1903 and president six years later. He also participated actively in the creation of the Salon des Indépendants.

In 1886, he was part of the IX Impressionist Exhibition, along with renowned painters such as Seurat, Edgar Degas, Camille Pissarro, Jean-Louis Forain and Paul Gauguin. In these early years, his paintings reflected the influence of Pissarro, Pierre Auguste Renoir, and Claude Monet.

Career

Towards the end of the 19th century, Signac began to lean towards the style proposed by Seurat, deepening the pointillist technique. In those first paintings, he painted the Mediterranean coasts and the banks of the Seine, lighthouses, coasts, among others.

In 1899, he raised his aesthetic ideas in the book De Eugène Delacroix to Neo-impressionism (1899), a work in which he defended the techniques of neo-impressionists. School that emerged in 1886 from the hand of Seurat and Signac. Camille Pissarro, Maximilien Luce Théo van Rysselberghe and Henri-Edmond Cross also participated in this.

Some characteristics of this artistic movement are the concern for volume, the development of shapes without defined profiles, the order in the composition and the use of pure basic colors, which when used in a pointillist painting would create an optical illusion that gives more luminosity in painting. This idea is based on the theory of the simultaneous contrast of colors by Michel Eugéne Chevreul.

Antibes – Morning, Paul Signac (1914)

When Seurat died, Signac moved to Saint-Tropez, (Cote d’Azur, France), a town where he remained until 1911. Throughout his life he traveled and sailed through different countries such as Italy and Turkey, also toured France. During these trips visited La Rochelle, Marseille, Venice, and Istanbul, among others. Those experiences served as inspiration for his paintings, in which he represented maritime scenes. Within those trips, he painted a large number of watercolors.

Throughout time, he ceased to strictly follow the rules of pointillism, widening the brushstrokes as seen in the paintings Samois, Departure of tuna vessels in Groix, La Seine au Pont-Royal, and Rivière de Vannes. From 1913, Signac traveled to Antibes, where he spent long stays, keeping his studio in Paris. During this period, he was president of the Société des Artistes Indépendants, a position he held from 1909 until his death on August 15, 1935, in Paris.

In the course of his career, Signac painted a large number of paintings and watercolors. In most of these, he applied pointillism, a technique developed by Seurat. Most of these paintings represented maritime scenes, although, he also painted still lives, decorative compositions, and everyday scenes. Among his most outstanding works are Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints (1890), Woman by the Lamp (1890), The Papal Palace in Avignon (1900), Grand Canal ( 1905), The Port of Rotterdam (1907), Antibes, the towers (1911), Port of La Rochelle (1921) and Lézardrieux (1925).

In the last years of his career, he painted various watercolors in which he did not strictly follow the rules of pointillism; for this period he became friends with Belgian painters who subsequently formed a group of neo-impressionists.

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Artist

Paul Gauguin

Paul Gauguin Biography
Paul Gauguin / Public domain

Paul Gauguin Biography

Eugène Henri Paul Gauguin (June 7, 1848 – May 8, 1903) was born in Paris, France. Painter. Considered one of the most prominent exponents of post-impressionism with Vincent van Gogh, Paul Cézanne, Henri Matisse, Georges Pierre Seurat, Camille Pissarro, and Paul Signac, among others.

Gauguin began to be interested in art in the early 1870s, at which time he acquired various works of impressionist art and took classes, later he comes into contact with artists such as Camille Pisarro with whom he began working. His first works influenced by Impressionism were exhibited at the Impressionist Exhibition of 1879. By the end of that decade, he faced serious economic and family problems, which affected his reputation. During this period his work changed radically, an event that was influenced by his relationship with Vincent van Gogh and his trip to Martinique. His most famous paintings are: The Seine on the Jena Bridge, (1875), Rouen, blue roofs, (1884), Laundresses of Arles (1888), The Green Christ (1889), Manao Tupapau (1892) and where we come? About us? Where we go? (1897).

Early years

Son of Clovis Gauguin and Aline Chazal, his father was a French journalist and his mother was a native of Peru. After the coup d’etat of Napoleon III in 1851, the family moved to Peru, where he lived for four years. He was raised in a middle-class family. While growing up he was attracted to the sea, which led him to enroll in the merchant marine with only 17 years, later joined the Navy. At that time, he visited different countries in South America and Europe.

By the beginning of the 1870s, he returned to Paris, where he began working at a financial company, shortly afterward he married Mette-Sophie Gad, with whom he had five children. Thanks to his work he was able to live with his family comfortably. At that same time, he began to be interested in painting and Parisian art, which is why he took painting classes and bought various works by impressionist painters such as Camille Pissarro, Édouard Manet, Paul Cézanne and Claude Monet.

Artistic career

After taking classes and coming into contact with the Parisian artistic environment, he began painting his first works, in which the influence of impressionism is reflected. The first of these was the lake in the plain (1874). The following year he became friends with Camille Pissarro, an impressionist painter with whom he began working since then. During these years, Gauguin made various paintings such as The Seine on the Jena Bridge (1875), Autumn Landscape (1877), Mette Gauguin Sewing (1878), Garden Under the Snow (1879) and The Hortelanos de Vaugirard (1879). These consolidated the career of the young artist. Upon gaining recognition from other impressionist artists he was invited to the Impressionist Exhibition of 1879, in which works by Monet, Pissarro, Edgar Degas, and Mary Cassat were exhibited.

In the following years, he was part of the Impressionist exhibitions, which became the center of the debate of the movement; recognized painters such as Jean-Louis Forain, Berthe Morisot, Henri Rouart, Victor Vignon, Georges Seurat and Paul Signac participated in these.

In 1883, the Parisian stock market collapsed, so Gauguin decided to make his passion for art his profession. Dedicating himself completely to this artistic activity. The following year he moved with his family to Copenhagen, the city where his wife’s family lived. During his stay, he sought financial support from the family. However, his attempts failed, shortly after he abandoned his wife and children, an event that affected his reputation. In the following years, Gauguin was rejected by the society of the time.

Gauguin and post-impressionist painting

Towards the end of the 1880s, his paintings and ideas changed. He began to move away from impressionism, without completely denying it. His new style was within the framework of what became known as synthesism, a term used by post-impressionist painters to distinguish their work from impressionism. This turn that his work had was influenced by his relationship with the Dutch painter, Vincent Van Gogh, who at that time visited his brother in Paris. This short stay on the island of Martinique also influenced this change.

Between 1886 and 1888 he followed Van Gogh, impressed by his work he traveled to Arles with him in 1888, where he hoped to work together. However, the personalities of these collided leading to this project to fail. From this period, the works stand out: Four Bretons (1886), Still Life with a Profile of Laval (1886), Near the Sea II (1887), Conversation in the Tropics (1887) and Portrait of Madelaine Bernard (1888).

Conversation TropiquesAfter he failed in Arles he returned to Paris, where he began to deepen his interest in popular art influenced by his friend Émile Bernard. During this period, he developed with Bernard the style that distinguished them from the Impressionists, the synthesis. A style that was characterized by the delineation of the color zones, which contrasted strongly in the painting, likewise, it did not seek to represent impressions or imitate scenes. This style rejected the techniques and bases of Impressionism.

In the last years of his career, Gauguin traveled and spent a long time in the Marquesas and Tahiti Islands. While residing in these islands he painted scenes of daily life and scenes that alluded to the culture and beliefs of the inhabitants of the island, such as La Orana Maria (1891), On the beach (1981), Upaupa, The dance of fire (1891) The house of the hymns (1892), the canoe (1896), The idol (1897), Where do we come from? About us? Where we go? (1897) and invocation (1903). During these last years of his career, the painter’s health deteriorated, he died on May 8, 1903, in the Marquesas Islands.

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Artist

Henri Rousseau

Henri Rousseau Biography
Public domain

Henri Rousseau Biography

Henri Julien Félix Rousseau (May 21, 1844 – September 2, 1910) was born in Laval, France. Painter, considered one of the key figures of the naive artistic current, a style that was characterized by naivety and spontaneity exposed in his works. Rousseau became known in the Parisian artistic environment in the mid-1880s, at which time his work was exhibited in the Hall of Independents, where the works of great post-impressionist artists such as Georges Seurat, Paul Signac, Edgar Degas, Camille Pissarro, and Paul Gauguin, were exhibited, among others.

Due to his humble origin, he could not train academically as an artist. However, with discipline and effort, he learned in a self-taught way, managing to develop his talent without specialized training. Before devoting himself fully to painting, he worked as an employee of the arbitrary, a profession that was inspired by his nickname, The Customs. Among his most recognized works are The War (1894), The Sleeping Gypsy (1897) and The Snake Charmer (1907).

Early years

He was born in a humble family, attended his academic studies while doing small jobs. During his youth he enlisted in the army, being part of it for four years. In the 1870s, he was on the battlefield due to the outbreak of the Franco-Prussian War, after the death of his father was sent home. In 1871 he settled with his wife, Clémence Boitard in Paris, a city where he began working as an employee of the arbitration, municipal tax office that is responsible for collecting taxes. While working he began to be interested in poetry, music, and art, passionate about them, but without being able to pay for his studies, he learned everything necessary in a self-taught way.

Artistic career

Since the end of the 1870s he began painting and drawing, subsequently came into contact with the Parisian artistic environment, drawing the attention of some post-impressionist artists. In 1886, his first known work, The Carnival of Animals, was exhibited, in which the influence of academic painting and its detailed representation is perceived, in this use intense colors and moderate shades. This application of colors is one of the characteristics of Rousseau’s works.

In the 1890s, he retired from his work to focus on his artistic production, by then his work had been ridiculed. However, he began to gain the attention of the public and the impressionist and post-impressionist artists after the publication of a series of works in which the naive style is reflected, of which it is one of the greatest exponents.

The first work of this series was the portrait titled, Myself: Portrait-Landscape (1890), followed by Tiger in a tropical storm (1891), a painting in which he used intense colors to represent the hard moment a tiger was going through when facing a tropical storm; a short time later he presented Centennial of Independence (1892), a work that illustrated the celebration of the anniversary of independence.

Two years later, he painted The War (1894), a painting that alluded to the horrors of war, in which you can see a field covered with bodies and a wild-looking floor; the rawness of the theme contrasted with the naive style of the painting. These works caught the attention of the impressionist Degas and the primitive post-impressionist Gauguin, among other artists of the same artistic environment. The following year he presented Boy on the Rocks (1895), followed by The Sleeping Gypsy (1897), one of his best-known works, in this, the painter illustrated a lady lying next to a lion in an unreal environment, which refers to the dream world, thematic that was frequently addressed in his works.

The Dream (1910)

In the early years of the twentieth century, Rousseau’s work was admired and widely recognized, among his most prominent admirers are Pablo Picasso and Guillaume Apollinaire, a writer who appreciated the poetic way in which he expressed himself in his paintings. In the mid-1900s, Rousseau began painting a series of jungle scenes, which attracted public attention for attention to detail and the use of bright colors, among these stand out hungry lion attacking an antelope (1905), The Merry Jesters (1906) The Snake Charmer (1907), The Equatorial Jungle (1909), Mandrill in the Jungle (1909) and The Dream (1910). In these, the painter referred to the lost natural paradise, represented as an exotic world. These works profoundly influenced the naive artistic current and other imaginative currents that subsequently emerged.

For this same period, he painted various portraits, urban scenes and scenes of everyday life such as weddings and sporting events, among these are: The girl with a doll (1905) and The Football Players (1908). His last work was The Dream (1910), a painting in which he illustrated the exotic dream of a young woman resting on a sofa; This work is connected with Snake Charmer and her works on jungle scenes.

In the last years of his life, his career was hampered by the rise of primitivism. After a career of highs and lows, Rousseau died on September 2, 1910.

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Artist

Henri de Toulouse-Lautrec

Public domain

Henri de Toulouse-Lautrec Biography

Henri Marie Raymond of Toulouse-Lautrec (November 24, 1864 – September 9, 1901) was born in Albi, France. Painter, draftsman and poster artist, considered one of the most outstanding artists of the 18th century, in his works he frequently represented the Parisian nightlife.

Toulouse-Lautrec was interested in art from an early age, thanks to his family origin he was able to devote himself fully to cultivate his passion for drawing. Due to two accidents he suffered while practicing sports, his lower limbs were stunted, so he did not reach the appropriate height for someone his age. That situation did not affect his social life, nor his artistic career. In the 1880s he opened his workshop, in which he developed most of his artistic production, which was influenced by the work of artists such as Edgar Degas, Vincent van Gogh, and Paul Gauguin, as well as the Japanese prints ukiyo-e. His most recognized works are The stable of the Fernando circus (1888), Dance at the Moulin Rouge (1890), At the Opera Ball (1893) and In the hall of rue des Moulins (1894).

Early years

He was born into an aristocratic family, his parents were Alphonse de Toulouse-Lautrec-Monfa and Countess Adèle Tapié de Celeyran, first-degree relatives; due to their consanguinity, Henri suffered a disease that affected the proper development of his bones. In 1868, his parents divorced and the four-year-old boy was in the care of his mother. He lived with her in the French county of Albi until 1873, the year in which the family moved to Paris. A year later the disease began to manifest itself. However, the family did not let this affect the child’s life. Henri had a calm and happy childhood and adolescence, during these years he played sports and began to be interested in art. While practicing sports he suffered two accidents (1878 and 1879) which seriously affected his lower extremities, since then they grew little, which is why Henri measured 1.52 m.

The beginnings

Towards the end of the 1870s he began painting in the workshop of René Princeteau, an outstanding painter of equestrian and military subjects, he later studied painting the art studies of Léon Bonnat and Fernand Cormon. During this training period he met the post-impressionist painters Émile Bernard, Louis Anquetin and Vincent van Gogh, of the latter he made a portrait in which colors abound, he is currently in the Stedelijk Museum in Amsterdam. This contact with artists of the post-impressionist artistic movement profoundly influenced the works of Toulouse-Lautrec, an artistic one that, as time went by, began to be part of this school, following the expressionist line with Van Gogh.

Artistic career

In 1885 he opened his workshop in Montmartre, where he carried out most of his artistic productions, influenced by the Parisian artistic environment that at that time was leaving aside impressionism as such, to give way to schools that inspired by it rejected its rigor, such as the neo-impressionist school of Seurat and Signac or the synthesis of Gauguin. During this period his works were influenced by the style of Edgar Degas and the ukiyo-e, Japanese prints; of these works he appreciated characteristics such as the use of colors, the enhancement given to the focus of the painting and the way of capturing certain scenes.

In the course of his artistic career Toulouse-Lautrec, he had an active social life, which led him to move in the bohemian atmosphere of Montmartre. He was a regular customer in cafes, theaters and dance halls also frequented brothels and other entertainment establishments. These experiences were the inspiration of his work in which he shaped the bohemian atmosphere, especially drew singers, dancers and circus characters. Since the end of the 1880s, the development of his style can be seen in his works, as reflected in At the Cirque Fernando (1888), in which he represented the world of the circus and its dazzling shows.

At the Moulin Rouge: The Dance (1890)

At the Moulin Rouge: The Dance (1890)

In the 1890s he began to illustrate the atmosphere of the Moulin Rouge, emphasizing the dancers and dance scenes, by this time he drew Dance in the Moulin Rouge (1890), Moulin Rouge: La Goulue (1891), The English in the Moulin Rouge (1892), In the Moulin Rouge: two women dancing (1892) and Jane Avril. Garden of Paris (1893); it is worth mentioning that Jane Avril is considered the muse of the young artist. The following year he painted in the hall of rue des Moulins (1894), a work in which he represented the atmosphere of the brothel. In this decade he drew numerous advertising posters on cabarets and commercial products, through which he laid the foundations for poster design. Among the most outstanding works are Divan Japanese (1893), Photographer Sescau (1894), The Mademoiselle Eglantine Company (1896) and The Simpson Chain (1896).

Towards the end of the 1890s, the health of the young artist deteriorated due to alcohol consumption, which is why he was admitted to hospital in 1899, to carry out an ethyl detoxification treatment. During this period he experimented with the use of colors and artificial light. In these years he drew Madame Poupoule at Her Dressing Table (1898), The Bed (1898), At the circus, horse and monkey dressage (1899) and At the Circus The Animal Trainer (1899).

The latest creations Toulouse-Lautrec, reflected the crisis that was going through, becoming bleak as seen in At the Rat Mort (1899), Woman in a Chemise Standing by a Bed (1899), The Milliner (1900), An Examination at the Faculty of Medicine, Paris (1901) and In the Bois de Boulogne (1901). After the deterioration of his health, the young artist died on September 9, 1901, at the age of thirty-six. Currently, part of his work is preserved in the Toulouse-Lautrec Museum, located in Albi.

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Artist

Halsey

Halsey Biography
Toglenn / CC BY-SA

Halsey Biography

Ashley Nicolette Frangipane (September 29, 1994) was born in New Jersey, United States. Singer and songwriter considered one of the most outstanding female artists of recent years. Frangipane is known by her stage name Halsey, a name that is an anagram of her first name (Ashley). This was released on the pop music scene in the early 2010s, when it became a trend for its covers and the parody of the song I Knew You Were Trouble by Taylor Swift, subsequently published the debut EP Room 93 (2014), of which the successes Ghost, Hurricane, and Trouble stood out.

In the following years, the artist established herself as a strong figure in the scene with themes such as Colors, New Americana, Castle, Now or Never, Bad at Love and Closer. The artist has excelled for her support of the LGBTQIA community and feminism, participating in various marches for gender equity and respect for human rights.

Beginnings

Daughter of Nicole and Chris Frangipane, she has Dante and Sevian as brothers. She was born in a humble family, from an early age she was interested in music and she was supported by her family. As she grew up she learned to play the viola, the violin, and the cello, then she started playing the acoustic guitar. Over time, she decided to continue seriously her passion for music specializing in fine arts at the university, however, the costs were too high, so she went to a community college in which she studied composition, area in which she was deeply interested, becoming the means of expressing her sorrows and joys.

At eighteen, while she was studying, she began to face serious economic problems, which is why she began to work presenting herself in different cities with varied artistic names, at this time she chose her artistic name, Halsey, since it was an anagram of her first name. In these years, she uploaded covers of songs on YouTube, with her name through which she was gaining popularity, later she created her account on SoundCloud, in which she uploaded her compositions, which were well received by the public.

 

Career

After becoming known on YouTube and SoundCloud, she drew the attention of the Astralwerks label with which she signed a contract a short time later. Under this label she released on October 27th the debut EP Room 93 (2014), this included Is There Somewhere, Ghost, Hurricane, Empty Gold, and Trouble, also included four special videos. After the publication, the EP was gaining popularity becoming a trend, also, it positioned itself in the 159th position of the Billboard 200. Later, Halsey joined the tour of the band The Kooks as an opening act.

In 2015 the singer rose to fame becoming one of the most mentioned artists online, after appearing in the South by Southwest, an event about films, interactive media, and music, of which the singer was part. That same year she undertook her first musical tour called, The American Youth Tour, which took place between March and April, in which the band Rising Sons and singer Olivver The Kid participated as guests. For mid-year Halsey, she was chosen as the opening act of the Smoke & Mirrors Tour of Imagine Dragons, in her presentation she interpreted some EP songs and other unpublished songs such as Colors, Control, Castle, Haunting and Roman Holiday, which would be included in the singer’s next album.

Starting June, she published the single Hold Me Down through his YouTube channel, this was included in the album Badlands (2015), a disc of the conceptual type inspired by a dystopian society called The Badlands, in which its inhabitants are held captive. The artist mentioned that this setting was the reflection of her mental state since on several occasions she wanted to escape from reality and the frustration that was linked to her condition as a bipolar person, a disorder she has talked about in various interviews and which has inspired some of her songs. Badlands included successful songs such as New Americana, Colors, Control and Castle.

In 2016 she published the EP Complementary Colors (2016), which consisted of five remixes of Colors, followed by the release of Tokyo Narita. By the end of the year, she collaborated with the American DJ duo, The Chainsmokers in Closer, a song that quickly became a trend, positioning itself in the US music tops. After the success of the song, Closer Remixes came out with R3hab, Shaun Frank, among others.

In mid-2017 she released Hopeless fountain kingdom (2017), an album that consisted of seventeen songs among these varied collaborations such as Strangers with Lauren Jauregui, Hopeless with Cashmere Cat, Alone with Big Sean and Stefflon Don and Lie with Quavo; from this stand out the song, it is Now or Never, Eyes Closed, Bad at Love, Sorry and Alone. Shortly after being published the album was positioned on the Billboard 200. This was chosen as one of the 50 best albums of the year by Billboard and Rolling Stone.

The following year already as a consolidated artist Halsey participated in Women’s March, a march for women’s rights in which various celebrities and figures of feminism participated. During the march, the singer delivered the speech Story like mine, in which she talks about psychological abuse, harassment and other situations that marked her life, experiences that many women share. The speech video became a trend. That same year she launched the collaboration with Benny Blanco, Eastside and later published the single Without Me. In 2019, she released the remix of Without Me with Juice WRLD.

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