Georges Duby Biography
Georges Duby (October 7, 1919 – December 3, 1996) historian. He was born in Paris, France. He is known for being a reference in medieval history, in themes of agrarian and artistic-cultural history, from a sociological angle. He graduated in Letters, then taught medieval history at the University of Besançon. From then on, he stood out as Professor of Social History of the Middle Ages at the Collège de France.
Duby is one of the representatives of the New History movement that emerged as a result of the historiographic revolution carried out by Marc Bloch and Lucien Febvre. Duby was dedicated to combining the interpretation of the mental attitudes of the people of an era with economic, demographic and social aspects. In this regard, he wrote some essays: La société aux XIe et XIIe siècles dans la région mâconnaise (1954) and Rural economy and country life in the medieval West (1962), there, Duby established the peculiar features of society European rural emerged from the slow dissolution of the Roman Empire, beginning in the evolution of the establishment of the property until the levels reached by the techniques of production and communication.
Thanks to a fairly modern research, the following were born: Warriors and peasants: initial development of the European economy (1973), in this work the analysis of the relations and mobility of the social strata is developed through a shrewd recourse to the new disciplines that feed historiographic research (anthropology, social demography, ecology, community psychology, etc.).
He considered the ideologies of medieval society as representation systems endowed with a historical role. To build his stories he used biographies, letters, chronicles, anal, epitaphs, sermons, figurative objects or recurring rhetorical figures. The above constitutes an advance for the historical discipline. An example of this was the work The Thousand-Year: A new and different vision of a crucial moment in history (1957), assembles literary documents belonging to the millennium, many admire it for being a particular essay on the history of mentalities. Many other works share the same line, such as the three orders or the imaginary of feudalism (1978) and the knight, the woman and the priest: marriage in feudal France (1981).
In the time of the cathedrals, he analyzed the artist’s social function concerning the philosophical-religious conceptions and the economy of the medieval world. Georges Duby postulated a relatively easy periodization for the French sphere: the time of light (1130-1190), of the reason (1190-1250) and happiness (1250-1280).
He paid attention to the European event: the black plague. He said that, although this stagnated the economy of the country stoked the cultural values of the Europeans: in the middle of a mess, everything seems to be renewed and rejuvenated. Art is transformed by the will of artists and patrons. That is, art became narration, illustration, and the artist is at the service of man. It is the warning of the beginning of the Renaissance.
The achievements of the history of mentalities are the subject of a reflection of Duby on the new historiography. Now, in the preface to Europe in the Middle Ages, Georges Duby makes a superficial exposition of the genesis of this book, which originated from films for television based on his previous work The Time of the Cathedrals. At the end of each chapter, Duby incorporates medieval original texts that illustrate and support the subject, allowing the reader a greater understanding of the Middle Ages and its contradictions so that he discovers the relationship that medieval European art maintained with society as a whole and with culture, of which it is a legitimate expression.
After the great death of the black plague epidemic of 1348, there is a proliferation in the work of art, which becomes an object of current consumption. However, Georges Duby discovers that the fourteenth century produces a large work of art that is not a cathedral or palace: it is the grave. The tomb affirmed the power of the great princes and ecclesiastics, becoming a monument of civil majesty. The poor of the 14th-century cities did not have access to this, they only enjoyed altarpieces and ecclesiastical engravings.
- The Middle Ages (in the General History of Civilizations).
- Faire de l’histoire, with Jacques Le Goff and Pierre Nora.
- Histoire de la France rurale.
- History of private life, with Philip Ariès.
- Women’s history, with Michelle Perrot.
Yukio Mishima Biography
Yukio Mishima (January 14, 1925 – November 25, 1970) was a novelist, essayist, poet, and critic. He was born in Tokyo, Japan. His birth name was Kimitake Hiraoka. His father Shizue served as Secretary of Fisheries for the Ministry of Agriculture and his mother Azusa Hiraoka was completely devoted to the household. Despite this, Yukio was in the care of his grandmother, Natsu. During this time, the little boy had no contact with his parents. Natsu had mental problems and on many occasions, she was violent and had a madness crisis, this was later portrayed in Yukio’s works.
He learned a taste for letters and languages from his grandmother. When he was 12 years old, Mishima began to write his first stories, besides, he had already read a large number of books by authors such as Oscar Wilde and Rilke, as well as numerous Japanese classics. He attended a fairly prestigious school called the Peers School, attended by the Japanese aristocracy, and eventually extremely wealthy commoners. But, then he realized that it was the worst decision he made. He spent six miserable years in this place.
He never built friendships and was sometimes attacked by his peers. The only redeemable of that time was his participation in the editorial board in the literary society of the school, thanks to this he was able to achieve a great aptitude for literature. His performance was so good that he was commissioned to write a story for the prestigious literary magazine, Bungei-Bunka. He presented a work called Hanazakari no Mori (The forest in all its splendor). Later, the story was published in 1944, due to the war it had to be published in a small print run due to a shortage of paper.
In his youth, he suffered from tuberculosis, for this reason, he avoided doing military service and participating in the war. But for Mishima, it was taken as something negative and shameful. One of Mishima’s dreams before he became a writer was to be a kamikaze pilot. It was glorious for him to die heroically for his homeland. Frustrated, he decided to spend a lot of time writing until his father disagreed and forbade him. Mishima had to do it at night, supported and protected by his mother Shizue, who always read his stories. Then his father ordered him that he should study law and not literature.
Graduated from the University of Tokyo in 1947, Mishima never stopped writing during his university career. He got a job as a civil servant in the Japanese Ministry of Finance. But this work was so exhausting that he decided to leave it with the support of his father a year later.At that time he was able to dedicate all his time to writing. Mishima began to write all kinds of works: novels, plays, short stories, also poems, articles, and essays. Usually, his work was devoted to dark and stark themes, although contrasted with the delicacy and restraint of his style. His works led him to have worldwide recognition and to be the best-known Japanese writer abroad.
The way he expresses desire and rejection, beauty, and violence, is of great attraction to the public. Mishima received the influence of Nihon Romanha, a writer belonging to Japanese romanticism, who emphasized the unity of Japan and its cultural values. This was a vehicle to reinforce nationalist ideology and more in times of war. However, Mishima was also interested and was a great admirer of modern Western literature. His first extensive work The Forest in Flower, was published in 1941. This work, like The Cigarette (1946), and Thieves (1948) were written during World War II and show the total departure from the tragic reality of war and of defeat.
In 1949 he published a work that quickly gained popularity: Confessions of a mask, a work that marked the definitive consecration of him in the literary world. Although some critics showed bewilderment and reservations about the particularity of the subject (because the protagonist confessed his homosexuality) certainly this represented a novelty in Japanese literature. Mishima was drawn to the aesthetic values of Western classicism. The Golden Pavilion (1956) was his most successful work in the 1950s.
In 1958, he traveled to the United States and upon his return, Mishima married the daughter of a well-known painter. A year later, Kyoko’s House was published, it did not receive the favors of the critics. He always tried to reflect his taste for the values of the authentic Japanese based on the values of the samurai. In this sense, fascinated by the ideology of warriors, he wrote The Way of the Samurai and In Defense of Culture (1968). Mishima presented himself as a defender of the restoration of the values of the prewar and militaristic culture. The author was a man concerned about corporality and the state of the body, for this reason, he was a lover of the Martial Arts.
From 1955 Mishima began an intense program of physical activity and also resorted to military training at the Sietai base, together with a group of university students. His enormous literary production, among which, along with those already mentioned, stand out: The prohibited color (1951), The death of mid-summer (1953), The voice of the wave (1954), The taste of glory (1963) and Thirst for love (1964).
After the Banquet (1960), one of his most successful novels, he wrote Patriotism (1961) and Death in the afternoon, and other stories (1971), a compilation of short stories representative of a time when he was dying in the name of noble ideals.
Among his theatrical production of these years, it is worth mentioning Madame de Sade (1965) and My friend Hitler (1968). His most popular work is: The sea of fertility, composed of the novels Snow of spring (1966), Runaway horses (1968), The temple of the dawn (1970)and The corruption of an angel, completed the latter days before his death. In this work, a critique of Japanese society is made for the loss of traditional values. Yukio Mishima was concerned about the strong westernization of his country and analyzed its transformation from a pessimistic and critical perspective.
This terrible vision of Mishima led him to embrace suicide as the only way out of him, ending his life on November 25, 1970.
Walter Scott Biography
Sir. Walter Scott (August 15, 1771 – September 21, 1832) was born in Edinburgh, Scotland. British writer, poet, and lawyer considered the founder of the historical novel. Scott was one of the key figures of the Romantic Movement in the United Kingdom. He began his long career as a writer at the end of the 18th century, at which time he published the translation of the ballads of G.A. Bürger, The Chase, and William and Helen (1796). Among his most acclaimed writings, are The Lady of the Lake (1810), Guy Mannering (1815), Rob Roy (1817), Ivanhoe (1819), The Monastery (1820), and The Talisman (1825). Most of these works were published anonymously. However, towards the end of the 1820s, the identity of the author was revealed.
Son of Walter Scott, lawyer, and Anne Rutherford, with only two years of age, contracted polio. Disease that seriously affected his health, leaving as a limp in his right leg. At this time, he lived with his grandfather Robert Scott in Sandyknowe. After four years he returned to Edinburgh, city in which he carried out his studies. Subsequently entered the University of Edinburgh, where he studied law, as did his father.
After graduating he began to practice his profession. At this time, he began to collect information about the myths and legends of Scotland while carrying out his duties. This theme was addressed by Scott in different works.
Towards the end of the 1790s he began his career, translating the work of Gottfried A. Bürger, Leonore, as well as the ballads included in The Chase, and William and Helen (1796). Shortly thereafter translated Götz von Berlichingen ofGoethe, book based on the life of the poet and adventurer Götz von Berlichingen, known as Iron Hand. At the beginning of the 19th century, he published the collection of ballads collected during his travels, entitled Minstrels of the Scottish Border (1802). This includes famous Scottish ballads such as The Young Tamlane, The Twa Corbies, The Douglas Tragedy, The Wife of Usher’s Well, The Cruel Sister and The Daemon Lover. After its publication, the work had little reception, however, the author continued to update this collection until 1830.
In the mid-1800s, he published the poem The Lay of the Last Minstrel (1805), a writing that was well-received, followed by Ballads and Lyrical Pieces (1806), a written work while serving as secretary of the courts of justice in Edinburgh. Later, Scott published Marmion: a Tale of Flodden Field (1808), a romantic historical poem that ends with the death of the protagonist in the Battle of Flodden Field. Two years later, he published The Lady of The Lake (1810), one of his most acclaimed poems by the author.
He later published The Vision of Don Roderick (1811) and The Bridal of Triermain (1813). In 1814 he published his first novel Waverley, a work set in the Jacobite uprising of 1745 in the United Kingdom; it was published anonymously since the author was a public official. After its publication, the work became a success.
Since then, he published several novels using different pseudonyms as Author of Waverley, Jebediah Cleisbotham, Crystal Croftangry, and Lawrence Templeton, among others. It should be noted that at this time the author’s identity was a fairly well-known secret. After Waverley (1814) wrote Guy Mannering (1815), The Antiquarian (1816), Rob Roy (1818) and Ivanhoe (1819), a novel story set in medieval England that tells the story of Wilfredo de Ivanhoe, noble Saxon, likewise, delves into the contradictions between the Saxon people and the Normans. This is one of the most outstanding works of the author.
Three years later he published The Adventures of Nigel (1822) and Peveril of the Peak (1822), followed by Quintin Durward (1823), a novel set in France by Louis XI. Later published Redgauntlet (1824), Tales of the Crusaders (1825) and Woodstock or The Knights: A Story of 1651 (1826).
That same year the author’s identity was revealed; year in which the author went through one of the most difficult moments of his life, given that his wife Charlotte Carpenter died and the Constable publishing house, in which he had invested a large amount of money he went bankrupt. Leaving a debt of 130,000 pounds, which he paid for the rest of his life.
At the end of the 1820s, he published The Life of Napoleon Buonaparte (1827), a book in which he delves into the life of Napoleon Bonaparte. The following year he published The Beautiful Young Woman of Perth (1828) and Tales of the Grandfather (1828), followed by History of Scotland (1829-1830), The Daughter of the Mist (1829), Bonnie Dundee (1830) and Letters on Demonology and Witchcraft (1831), the author’s last work. At this time, Scott, stopped writing and his health began to deteriorate rapidly. Scott passed away on September 21, 1832, was buried in Dryburgh Abbey.
The author’s work is considered a pioneer in the field of the historical novel, his writings are exalted by critics, since in these he realistically addresses historical events linked to his native Scotland and the Middle Ages, vividly evoking the context in which the protagonist of the history. Scott profoundly influenced the work of European writers, as well as painters and musicians; the writings of this have been represented in the theater, cinema, and television on several occasions.
Marie Kondo Biography
Marie Kondo (October 9, 1984) was born in Tokyo, Japan. Writer and businesswoman, famous for being the creator of the Konmari method. A system that explains the proper way of organizing the home so that only the necessary is available and what makes the owner happy, avoiding the accumulation derived from the tendency to cling to the past. Kondo’s method has become a trend, after the publication of her first book The Magic of Order (2011), in which she delves into the method and highlights the positive aspects of order, emphasizing the serenity and relaxation an organized house inspires, which will be reflected in the daily life of people living in the home.
Kondo was interested at an early age in order and cleanliness, influenced by magazines about decoration and the home that her mother bought. While growing up, she spent a lot of time alone, since her mother took care of her younger sister, who at that time was just a baby. During these years she studied and continued to cultivate her love for order. When she entered the institute she began ordering the shelves while other students practiced sports.
Upon entering the University of Tokyo, she noticed that ordering helped her stay calmed and release the stress produced by the studies and partials. One day she organized for the first time she experienced a state of total calm and perfect order, which motivated her to choose the organization as a profession.
The Konmari method
At 19, while studying at the University of Tokyo, she became a consultant and created the Konmari method, a System in which she explains the proper way to organize the home and other spaces, so that they become spaces of inspiration and serenity, which to some extent influences the mental health of the people who inhabit the place. The Kondo method proposes the elimination of unnecessary things, likewise, on a more personal level, it promotes the termination of unproductive relationships that do not positively influence the person. The goal of the system is to bring happiness and serenity to the person who carries it out.
Konmari is based on the steps that Kondo followed in the organization of her home, as well as certain aspects of Eastern philosophy, feng shui, and inspirational coaching. This is divided into five steps: the first is the selection and organization of clothing, only what is used is chosen, looks good or produces happiness to the owner. After the selection must be organized so that everything is visible and accessible.
The second is focused on books, only those that are of great importance are chose, preventing them from exceeding 30 books. The next step is the papers, keeping what is in force or necessary, then they are stored in folios. The fourth step is the komono, also understood as various objects that you have in the home such as photos, CDs, magazines, among others, of these should only remain what has great emotional value.
Finally, sentimental articles should be selected and organized, as mentioned above, only objects that have a deep sentimental value and that produce happiness should be chosen. If that is not the case, it should be discarded since only objects that do not contribute to growth would be accumulating and peace of the person. This method has been widely disseminated since the publication of Kondo’s first book, entitled The Magic of Order (2011), which was well-received by the public. Shortly thereafter launched happiness after order (2012), in which delves into the method and well-being that it brings; subsequently published The magic of order. An illustrated novel (2017).
These books were transformed into lectures, audiobooks, and articles, through which, Kondo, has become one of the most prominent figures of recent years. After the publication of these, the author has participated in various radio and television programs in Japan and other countries, such as Ellen Show and Rachael Ray Show. Also has been interviewed by the Time Magazine, The New York Times, The Wall Street Journal, Vogue Magazine, among others.
In 2015, she was included in the list of the 100 most influential people in the world created by Time magazine, list in which the outstanding Japanese writer Haruki Murakami has also been included. At present, her company has a long list of clients whom she helps transform her spaces into places of inspiration and serenity. In January 2019, the series Tidying Up with Marie Kondowas launchedfrom Netflix, in which Kondo is seen visiting and organizing homes based on her method.
Joël Dicker Biography
Joël Dicker (June 16, 1985) Born in Geneva, Switzerland. Swiss writer considered one of the most relevant writers of recent years. Before devoting himself fully to writing he studied for a short time Drama in Paris, and Law at the University of Geneva, a career that ended in 2010; Dicker rose to fame that same year, winning the prestigious Prix des Ecrivains Genevois award, an award aimed at highlighting unpublished works. Subsequently published the successful books: The Last Days of Our Fathers (2011), The Truth About The Harry Case Quebert (2012), The Book Of The Baltimore (2015) and The Disappearance Of Stephanie Mailer (2018). Their success turned Dicker into a phenomenon of international sales.
Son of a high school teacher and a bookstore; he has three brothers. Dicker spent his childhood in Geneva, the city where he began his academic training. While studying he began to be interested in writing, an interest he cultivated by becoming the manager of nature and animal magazine. After attending elementary school, he entered the Collège Madame de Staël, an institution where he continued polishing his writing skills. It is worth mentioning that although he was attracted to writing, he did not like to study.
At the end of this training period, he moved to Paris, where he began taking acting classes at the renowned French drama school, Cours Florent. After a year he dropped out of school and returned to his hometown, where shortly thereafter he began studying law at the University of Geneva. At 19 he wrote his first work, The Tiger (2005), a short story set in Tsarist Russia, specifically in the government of Tsar Nicholas II. Five years later he graduated, obtaining the title of Lawyer.
Joël Dicker’s work
The trajectory of the young writer began in the mid-2000s, at which time he published the story, The Tiger (2005), a work he presented in a youth literary contest but was dismissed since for the judges it was suspected that such work was written by someone so young. In the story, he deepens on topics such as existential dilemmas, violence, the possibility of redemption and the great questions that human beings pose, this was set in the government of the last Tsar of Russia, Nicholas II.
Five years later he won the Prix des Ecrivains Genevois prize, awarded by the Geneva Writers Society for the best manuscript not published for the work The Last Days of Our Fathers, written that was published a year later thanks to the prize. The Last Days of Our Fathers (2011), set in the period covered by World War II, focused on the strategy of Winston Churchill and the actions of the Special Operations Executive, an espionage agency infiltrated in the Nazi army lines.
In 2012, he published the criminal mystery, The Truth About The Case Harry Quebert (2012), a work that revolves around Marcus Goldman’s investigation of the murder of Nola Kellergan, who was close to the friend and mentor of writer Harry Quebert. This paper was awarded the Goncourt Prize and the Novel Grand Prix of the French Academy.
In 2018, the work was adapted to television in the miniseries format, which was directed by Jean-Jacques Annaud and starring Patrick Dempsey. Three years after the publication of The Truth About The Harry Quebert Case (2012), The Baltimore Book (2015) came out, written that continues the investigations of the young writer Marcus Goldman, this time he investigates the Goldman family of Baltimore, from the period of opulence to the decline of the family and the emergence of drama.
The most recent work of the author is The Disappearance of Stephanie Mailer (2018), a thriller that revolves around the mysterious disappearance of a journalist who at that time had discovered the irregularities of an old homicide case, by revealing this information to the police officer in charge of case disappears.
Henri de Saint-Simon
Henri de Saint-Simon Biography
Claude Henri de Rouvroy, Count of Saint-Simon (October 17, 1760 – May 19, 1825) was born in Paris, France. Historian and political theorist, he was one of the founders and theorists of modern socialism. The Count of Saint-Simon was part of the military who fought in the War of Independence of the United States (1775-1783), later joined the revolutionary cause in Paris becoming a Republican.
He was appointed president of the Paris Commune in 1792, at which time he renounced his noble title and changed his name to Claude Henri Bonhomme, after being accused of speculation and spending a short time in jail focused on writing, publishing the books The industrial system (Du système industriel) and New Christianity (Nouveau Christianisme).
He was born into an aristocratic family. Among his relatives is Duke Louis de Rouvroy de Saint-Simon, author of Memories (1739-1752), a book in which he described the court of Louis XIV of France. Due to family tradition, he began his military career at an early age actively participating in the United States War of Independence (1775-1783), in favor of the colonies. After returning to the country began the revolutionary movement that ended in the outbreak of the French Revolution (1789-1799), political and social conflict that marked the history of the eighteenth century, driving profound changes in various parts of the world as the establishment of the republican model. During the development of the revolution, Saint-Simon became a Republican and was appointed president of the Paris Commune in 1792.
In the course of his government he was accused of speculation of national assets and criticized for his close relationship with Georges-Jacques Danton, which caused him to be detained between 1793 and 1794. During the Directory (1795-1799), Saint-Simon lived on comfortably, since he had a good fortune, at that time his home was visited by prominent figures of the time such as Gaspard Monge, Joseph-Louis de Lagrange, and Guillaume Dupuytren. Later, he traveled to Germany, the United Kingdom, and Switzerland, in the course of the trip he began writing his first works.
At the beginning of the 19th century, he published his first work entitled Letter from a resident in Geneva to his contemporaries (Lettres d’un habitant de Genève à ses contemporains), where he outlined what he would later define as capacity theory. After spending several years living comfortably, his fortune began to decrease, which is why he faced serious economic problems. To sustain himself he wrote several scientific and philosophical articles with which he managed to stabilize his economic situation. For this same period he mentioned one of his best-known phrases in the newspaper L’Organisateur:
If France lost its main physicists, chemists, bankers, merchants, farmers, blacksmiths, etc., it would be a body without a soul. On the other hand, if I lost all the men considered most important in the State, the fact would not bring more pain than the sentimental one
This statement was seen negatively and he was prosecuted for it. Starting the 1820s he published his next work called The Industrial System (Du système industriel, 1821) and four years later he published his most exalted work New Christianity (Nouveau Christianisme, 1825), a work in which he criticized the doctrine of Jesus and sat the basis for establishing a new Christianity that was more in line with the original evangelical teachings. After the publication of the book, he was ruined again, which is why he planned to take his life off of a shot. However, he failed and was injured in one eye, a short time later driven by one of his disciples decided to create the newspaper Le Producteur, but shortly before his appearance, he passed away. The renowned French theorist died on May 19, 1825, in Paris.
After his death, his approaches and ideas were disseminated by his disciples who created the ideological movement known as Saint-simonianism which was of great relevance in later generations influencing the formation of utopian socialism. His ideas were exalted by philosophers Karl Marx and Émile Durkheim. Saint-Simonianism’s thinking was based on his personal experience during the development of the French Revolution and the fall with the coup d’état orchestrated by Napoleon Bonaparte. In this, he stated that the government should be managed by industrialists such as workers, peasants, and owners, mentioned that the place that clerics had in the social order should be occupied by scientists; religion should guide social classes so that they improve their quality of life.
Finally, he mentioned that the redistribution of goods should be based on the capacity of each individual. These ideas influenced the work of Auguste Comte, John Stuart Mill, and various socialist philosophers.
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